Keep the review with the cut.

Give editors, producers and clients one place to review each version, from the first assembly to the delivery file.

Compare plans
GradeVideo wipe comparing two uploads of a trailer at the same frame
Check the revised grade against the previous cut.
Open this review in GradeVideo

See the shot. Leave the instruction.

Play the sample clip, then choose a note. The player jumps to the moment under review, so an editor can find the change without searching a message thread.

Trailer 52sIn reviewOpen in GradeVideo

Choose a note to pause at its timecode.

Sintel © Blender Foundation, under CC BY 3.0. Demo revisions include excerpts, a portrait crop and a color adjustment.

A review round, from start to finish.

A producer shares the latest cut with the agency. The editor gets comments on specific frames, uploads a revision and keeps both versions in the same project.

  1. 1

    Organize each job

    Keep the cut, its versions and the review thread together so the team can find the work it needs.

  2. 2

    Send a review link

    Give clients access to the cut. Set link access and download permissions for each review.

  3. 3

    Check the revision

    Compare versions and read the notes beside the video before you send the next cut.

Four cuts of a trailer organized in a GradeVideo project
Keep the trailer, scene edits and revisions together.
GradeVideo analytics with views, watch time and where reviewers watched
See who watched each cut, and how far they got.

Keep the next step clear.

Keep the agency round in one thread

Give the producer, creative team and client the same review link. Their comments sit beside the cut, with the moment they refer to attached.

Check what changed

Compare two versions at the same point in the edit. Review the revised shot and the earlier feedback before you send it back.

Make the review feel like your studio

Custom Branding on Studio adds your logo and brand colors to the review experience. Facility adds DRM for productions with stricter playback requirements.

Send notes back to your timeline.

Take the review notes into your edit as timeline markers. Each marker tells you where to look and what the reviewer asked to change.

  • Avid EDL
  • Resolve
  • Premiere XML
  • FCPXML
  • CSV
Maya, the client, asks to hold a shot longer, at 01:00:07:12Sam, the producer, flags clipped sky highlights, at 01:00:24:12Rhea, the director, asks to match the warmth of another sequence, at 01:00:31:10
SINTEL_TRAILER_V3_notes.edl
TITLE: SINTEL_TRAILER_V3
FCM: NON-DROP FRAME

001  AX       V     C        01:00:07:12 01:00:07:13 01:00:07:12 01:00:07:13
* LOC: 01:00:07:12 CYAN    MAYA (CLIENT) HOLD ON HER A BEAT LONGER BEFORE THE TITLE CARD
002  AX       V     C        01:00:24:12 01:00:24:13 01:00:24:12 01:00:24:13
* LOC: 01:00:24:12 RED     SAM (PRODUCER) SKY HIGHLIGHTS CLIP ABOVE 100%
003  AX       V     C        01:00:31:10 01:00:31:11 01:00:31:10 01:00:31:11
* LOC: 01:00:31:10 RED     RHEA (DIRECTOR) MATCH THE WARMTH TO THE ROOFTOP SEQUENCE

Before your first review.

Can the client review without buying a seat?

Yes. Reviewers are free. Paid seats are for the people who upload and manage work.

Which plan fits a production team?

Studio adds unlimited projects, pooled storage, version comparison and Custom Branding. Choose Facility when you need DRM, SSO, audit logs or forensic watermarking.

More ways to use GradeVideo.

Your next project starts on GradeVideo.

Start free with one editor and three projects. Reviewers never pay.